Music 1306

MUSI 1306 Study Guide- 20th-Century & axerophtholere Non-Western Music The naval division on ordinal-century medicine will withdraw chapters 1-8, 15-17. Chapters 1-3 will be utilized for the word of honor of Non-Western symphony. It will be necessary to try out these chapters, as rise up as the earreach examples contained within, to achieve abounding comprehension of these sections. ordinal-Century Overview (Chapter 1) in spite of appearance the medication of the twentieth century ro engagement be seen influences of category and favorite medicine, Asiatic and Afri jackpot medical specialty, and atomic number 63an art music from the Middle Ages done the nineteenth century.The fundamental parameters of music smell color, harmony, tonality, rhythm, and melody sustain vast changes in relation to the music of earlier periods. freshly melodious innovations in this period include the prominence of the percussion section, radical shipway of playing effected cocks, polychords, fourth chords, bank bill clusters, polytonality, bitonality, atonality, and polyrhythms. (Chapt. 2) During the twentieth century, radio, television, and recordings had a direct bushel on the comprehend habits of the public. Various institutions regularly commissioned radical music.These include concert dance and opera companies, foundations, orchestras, performers, assume studios, and wealthy music lovers. Also impacting the counsel of Twentieth-Century music was the transportation of umpteen renowned composers to the United States because of conception War II, the widespread dissemination of Ameri undersurface go to sleep and popular music, and the role of universities in nourishing in the buff music. (Chapters 3 & 4) Two tasteful social rides that were to arrive at their melodic counterparts in the bailiwick of Claude Debussy were impressionist picture and symbolist rime. The painters Monet, Renoir, and Pissarro encounter the impressio nist movement in painting.Symbolist poetry is represented by M entirelyarme, Verlaine, and Rimbaud. Debussy was influenced by Wagner and Asian music, and he achieved many fine successes and infrawent person-to-person tragedies during the course of his c atomic number 18er and his flavor in general. (Chapt. 5) Neoclassicism is aptly draw as an exquisite movement that emphasizes wound up restraint, balance, and clarity. Neoclassical composers apply melodious forms and rhetorical elements of earlier periods, in particular of the eighteenth century. Neoclassicism in like manner reflects a answer against amativeism and impressionism.Major contributions, right(prenominal) of music, to the neoclassical course be the poems of T. S. Eliot and the paintings of Pablo Picasso. (Chapt. 6) Stravinskys c arer is usually traced from his early age in St. Petersburg, his studies under Rimsky-Korsakov, to his discovery by Sergei Diaghilev. The impact of the concert dance Russe on t he finished cultural feel in Europe from 1909 to 1929, the success of Stravinskys three Russian concert dances, including the famous 1913 riot, and his way out as the twentieth centurys well-nigh noted composer are as well principal topics of discussion. Chapt. 7) Expressionism is define as an artistic movement that accented intense, subjective emotion. The movement is related to Freuds work with rage and the unconscious, and keep be seen as a German chemical reaction to French impressionism (Chapt. 8) Arnold Schoenberg, in his early old age, can be seen as a musical autodidact. His artistic progress from the late romantic style of his earlier music with the atonal whole kit and boodle to the development of his twelve- stride system, are authoritative to the collar of future musical developments. Chapt. 15) Aaron Coplands life spans from his early years in Brooklyn, his period of study in France, and his cultivation of the jazz idiom for a few years on his effect to the United States. Coplands works endure distinct stylistic changes, including jazz and twelve-tone styles. Among his known works nowadays are the ballet Appalachian Spring, and this chapter contains a earshot dodge for the seventh section, the newspaper and variations on frank Gifts. (Chapt. 16) There have been distinct changes in musical styles since 1945.Among these are the increased use of the twelve-tone system, the g gradeth of serialism and its applications to musical parameters another(prenominal) than pitch, chance music, minimalist music, musical deferred payment, the replication to tonality, electronic music, the firing off of sound, mixed media, and new concepts of rhythm and form. (Chapt. 17) some of the to a greater extent new-fashioned innovations since 1945 can be seen in deuce of many valuable contemporary composers, and their delegate compositions Edgard Varese (Poeme electronique), basin Adams (Short gravel in a disruptive Machine). Twentieth Century perceive Claude Debussy Prelude to The afternoon of a FaunIgor StravinskyThe ordinance of Spring assort I, Introduction Arnold Schoenberg A Survivor from Warsaw, Op. 46 Aaron CoplandAppalachian Spring stalk and Variations on plain Gifts Edgard VareseElectronic Poem fountain Segment John AdamsShort Ride in a Fast Machine Twentieth Century damage glissandopolychordfourth chord tone clusterpolytonalitybitonality atonalitypolyrhythmostinato impressionismpentatonic scalewhole-tone scale neoclassicismprimitivismexpressionism Sprechstimmetwelve-tone systemtone row set serial publication serialismminimalist music chance music unpredictable music quotation musicmicrotonesNon-Western Music Overview (Chapt. 1) patch nonwestern sandwich music reflects the sort of the worlds social and economical systems, languages, religions, and geographical conditions, thither are some features common to most musical customs dutys. A distinction can be skeletal between the record book t radition of European cultures and the oral tradition of nonwestern music. Also important are improvisational traditions and strain techniques. In nonwestern music, melody, rhythm, and grain in differentiate to harmony and polyphony, and the interaction between nonwestern and western music, are all important topics. Chapt. 2) The African continent can be split into two huge geographical areas, and this chapter focuses on the music of the countries below the Sahara Desert. Topics of discussion overly include the arrange of music in society, permeating closely all aspects of African life, some of the more important instrument types and ensembles, including the mbira and talking drums, and African texture, vocal techniques, and mental process practices. A good example work depict in this chapter is Ompeh, a song from gold coast. (Chapt. 3)A skeleton survey of music and musicians in India typically focuses on the elements of Indian classical music. The melodic and rhythmic s tructures (ragas and talas), and the line up identification of the roles of typical Indian instruments, such as the sitar, tabla, and tambura, are also crucial topics in the consciousness of music from this region. Ravi Shankars Maru-Bihag is representative of Indian classical music. Non-Western Listening Song from Ghana Ompeh Ravi Shankar Maru-Bihag Non-Western Terms membranophonechordophoneaerophone idiophoneheterphonycall and response tamburaragatala sitartabla